The Sexual Perspective and Fully Exposed: The Male Nude in Photography grew out of my journalism for the gay press and aspects of visual culture that had been central concerns for many years. The People’s Art had a direct line to my background, to my politics and to my journalism for The Morning Star and Tribune.
SOLOMON: A FAMILY OF PAINTERS
YEAR: 1985
PUBLISHER: ILEA (Softback)
CONTENT: Exhibition catalogue from Geffrye Museum, London, with essay by Emmanuel Cooper – Vision of Love: Homosexual and Androgynous Themes in Simon Solomon’s work after 1873.
NOTE: Exhibition toured to Birmingham Museum & Art Gallery
THE SEXUAL PERSPECTIVE: HOMOSEXUALITY AND ART IN THE LAST 100 YEARS IN THE WEST
YEAR: 1986
PUBLISHER: Routledge & Kegan Paul (Hardback and softback)
CONTENT: Brings together information on the life and work of artists, women and men who were homosexual or had significant homosexual experiences.
NOTE: ‘A Milestone in queer cultural history.’ [Queer Arts Resource]
KOUROS: THE MALE PHOTOGRAPHY OF JOHN S BARRINGTON
(Second Impression)
YEAR: 1993
PUBLISHER: Editions Aubrey Walter (Softback)
CONTENT: Introduction by Emmanuel Cooper along with approx 70 images by John S Barrington.
NOTE: Barrington is also represented in Emmanuel Cooper’s Fully Exposed: The Male Nude in Photography
THEATRUM ANATOMICUM: JO BRUNENBERG
YEAR: 1993
PUBLISHER: Editions Aubrey Walter (Softback)
CONTENT: Introduction by Emmanuel Cooper to a collection of Brunenberg’s images – in both colour and black and white – that explore the paradox between ‘geometical symmetry and the sensual lines of the body…’
NOTE: Images by Jo Brunenberg were featured in the second edition of Fully Exposed: The Male Nude in Photography.
PEOPLE’S ART: WORKING CLASS ART FROM 1750 TO THE PRESENT DAY
YEAR: 1994
PUBLISHER: Mainstream (Hardback)
CONTENT: Illuminates work little seen or written about and here discussed within its social and artistic context.
NOTE: A fantastic book, a must read for anyone with any interest in social art history [Online review].
OUTLOOKS: LESBIAN & GAY SEXUALITIES AND VISUAL CULTURES
YEAR: 1996
PUBLISHER: Routledge (Hardback and softback)
CONTENT: Series of essays looking at relationship of lesbian and gay sexualities to visual representations. Emmanuel Cooper contributes essay ‘Queer spectacles’ on Francis Bacon.
NOTE: Perhaps Emmanuel Cooper’s most theoretical arts writing. Other contributors include Simon Watney and Sunil Gupta.